主演：松隆子

导演：宝生舞,希良梨,秋山直子,源氏纱菜

简介：洗屋先生我樱花未增删带(dài )翻译洗屋先生，我(wǒ )樱花未增删(shān )（带翻译）洗屋(❤)先生是一部由(🏊)日本动画师大友克洋(yáng )于2001年(nián )创作的动画短片。这部(bù )作(zuò )品(🈳)以(yǐ )20世纪初的东京(📡)为背景，展(🦌)现了一个世外桃源般的神(📆)秘(mì )屋子，并以樱花为主题。这(💇)个故事发生(shēng )在一(yī )个名(míng )为(wéi )洗屋(wū )先(🍧)生洗屋先生我樱花未增删(🗒)带翻译

洗屋先生，我樱花未增删（带翻译）

洗屋先生是一部由日本动画师大友克洋于2001年创作的动(🖼)画短片。这部作品(🍱)以20世纪初的东京(👆)为背景，展现了一个世外桃源般的神秘屋子，并以樱花为主题。

这个故事发生在一个名为洗屋先生的男人的屋子里。洗屋先生身处于咖啡店旁边一条狭窄的巷道内，客人(🌀)们需要先脱鞋才能进入他的洗衣店。在这个古雅的屋子里，许多有着奇怪需求的客人找到了洗屋先生来解(🚆)决他们的问题。每个故(🦆)事都(🎇)以樱花为基础，并在其鲜艳的颜色和娇艳的姿态中(🥗)呈现。

第(🦍)一个故事描述了一位拥有透明衣物的美丽女性。她的透明衣物是由于(👞)她人生中的某种心理障碍导致的。洗屋先生通过为她洗涤(🧣)衣物来治愈她的心理问题，她最终变得自信并摆脱了这种疾病。

第二个故事是关于一(👥)位悲伤的(🉐)音乐家，他在乐器上不停地弹奏悲(🚠)伤的音符。他来到洗屋先生那里，希望通过洗涤他的乐器，来净化他的心灵。洗屋先生(🕧)用魔法般的方式将他(🥒)的悲伤转化为美妙的音符，并让他再次找回了音乐的乐趣(🎵)。

第三个故事展示了一个失去记忆的女孩。当她看到洗屋先生的樱花盛开时(🌴)，她恢复了对自己的记忆和身份的认识。樱花的美丽和洗屋先生的洗涤过程，成为了(🗨)她追溯过去，重建(🚾)自己的一束光芒。

洗屋先生是一部融合了超现实主义和幻想的动画短片。它通过樱花这个日本文化(🛳)中富有象征意义的元素，展示了人们内心深处的情感和心理变化。洗屋先生这个角色，则扮演了一位(🎊)奇妙的心理(⬛)医生，通过他独特的洗涤技术，治愈了客人(😇)们的内心创伤。

这部动画通过其精美(📔)的画面和细腻的情感描(🐋)绘，获得了广泛的好评。樱花的绽放和洗(👥)屋先生的洗涤过程，在每一个故(🏫)事中都融入了深刻的寓意。它们的存在使得这(🥨)些故事更(👡)加具有触动人心的力量。

洗屋(📄)先生我樱花未增删，是一部值得观看的动画短(👋)片。它以樱花为主题，通过洗屋先生的角色，以及他与客人们共同经历的一系列故事，向人们展示了爱、治愈和成长的力量。无论观众是年轻(🎦)人还是成年人，这一作品都能在观影过程中带(🚲)来(🈷)深深的感动和(🔓)启发(🌋)。

Mr. Washinomiya, I Haven't Added or Deleted Cherry Blossoms (with translation)

Mr. Washinomiya is an animated short film created by Japanese animator Katsuhiro Otomo in 2001. Set in early 20th century Tokyo, this work presents a mysterious house as an idyllic utopia, with cherry blossoms as its central theme.

The story takes place inside the house of a man named Mr. Washinomiya. Located in a narrow alley next to a café, visitors have to remove their shoes before entering his laundry shop. In this quaint house, many customers with peculiar needs find Mr. Washinomiya to solve their problems. Each story is based on cherry blossoms, and presents them in their vibrant colors and graceful postures.

The first story depicts a beautiful woman with transparent clothing. Her transparent clothing is a manifestation of some psychological obstacles in her life. Mr. Washinomiya cures her psychological issue by washing her clothes, and she becomes confident and frees herself from this affliction.

The second story is about a sorrowful musician who constantly plays sad notes on his instrument. He seeks Mr. Washinomiya's assistance in purifying his soul by washing his instrument. In a magical way, Mr. Washinomiya transforms his sadness into beautiful notes, allowing him to rediscover the joy of music.

The third story showcases a girl who has lost her memories. When she sees the cherry blossoms in full bloom at Mr. Washinomiya's house, she regains her awareness of her past and identity. The beauty of the cherry blossoms and Mr. Washinomiya's washing process become the guiding light for her to trace her past and rebuild herself.

Mr. Washinomiya is an animated short film that combines surrealism and fantasy. Through cherry blossoms, a symbol rich in Japanese culture, it portrays the emotions and psychological changes deep within people. The character of Mr. Washinomiya plays the role of a marvelous psychiatrist, healing the emotional wounds of his customers through his unique washing technique.

This animation has received widespread acclaim due to its exquisite visuals and subtle emotional portrayals. The cherry blossoms' blooming and Mr. Washinomiya's washing process incorporate profound symbolism in each story. Their presence adds a powerful touch to these stories that can deeply move viewers.

Mr. Washinomiya, I Haven't Added or Deleted Cherry Blossoms is a worthy animated short film to watch. With cherry blossoms as its core theme, it showcases the power of love, healing, and personal growth through the character of Mr. Washinomiya and the series of stories he experiences with his customers. Whether the audience is young or adults, this work can bring profound emotions and inspiration during the viewing process.

其次(cì )，从伦理(🐏)(lǐ )角度(dù )来(lá(😨)i )看，这一事件凸显(xiǎn )了社会对身(shēn )体(tǐ )残疾和外(🏘)貌(mà(Ⓜ)o )的偏见。裂口女(nǚ )性(xìng )的外(wài )貌可能与一般人不同(tóng )，但她同样(yàng )拥有人格和(💾)尊严(⛪)。我们不能仅仅通过外貌来评价(jià )和对待(dài )一(yī )个人，这是违背人道和(🐵)尊重的基(jī )本原则。这种(zhǒng )对身体残疾的偏见(jiàn )和(hé )歧视应当(🍇)(dāng )引起社会的(de )关注和警惕。